Lumehaus Collection — Designer Table Lamps, Pendant Lights & Floor Lamps from New Delhi

Lumehaus is a lighting design studio founded by Vaibhav Sareen in New Delhi — built on the conviction that beautiful, well-crafted lighting has the power to transform any space into a sanctuary. At Lumehaus, each lamp is designed not merely as a product but as a feeling: one that evokes joy, comfort, and a deep sense of belonging. The studio's 53-piece collection spans table lamps, pendant lamps, floor lamps, and wall sconces — all in natural materials, warm palettes, and resolved forms that deliver designer lighting quality across every room and every budget within the premium range.

About Lumehaus — Lighting That Speaks to the Soul

The Lumehaus founding philosophy positions the lamp as an emotional object — not merely a functional fixture but a designed presence whose light quality, material surface, and form together determine how a room feels at the most intimate level. This is a specific and defensible design position: most lighting brands focus on technical specification (lumens, colour temperature, wattage) and visual form. Lumehaus begins from a different premise — that the right lamp changes not just how a room looks but how its occupants feel within it.

This premise has a scientific basis. The field of environmental psychology — the study of how physical environments shape psychological states — has established that light quality is among the most significant determinants of emotional experience in built spaces. Research by Kruithof (1940s) and subsequent studies established the Kruithof curve: the relationship between illuminance (measured in lux) and colour temperature (measured in Kelvin) that produces subjective comfort or discomfort. Warm, low-colour-temperature light (2700K–3000K) at moderate illuminance levels produces the subjective experience of comfort, warmth, and relaxation that Lumehaus describes as "sanctuary." High-colour-temperature light (4000K+) at high illuminance produces alertness and energy — the opposite of sanctuary. Every Lumehaus lamp is designed for the 2700K–3000K register — the warm end of the residential lighting spectrum — because this is the colour temperature at which a room becomes a home rather than an office.

The material vocabulary reinforces this emotional design position. Raffia — the palm fibre hand-woven into lamp shades — carries a warmth and texture that diffuses light through its weave, creating patterns of light and shadow on surrounding surfaces. Boucle — the looped, textured yarn fabric used in the Vespera floor lamp's shade — absorbs light as much as it reflects it, creating a soft, non-directional glow. Marble and terracotta bases carry the geological warmth of earth materials. Linen shades diffuse light evenly, filtering out the harsh directionality of the bare bulb.

The result is a collection whose technical lighting quality and material quality are in service of a single goal: making the room feel like a place of quiet refuge.

The Lumehaus Collection — Key Pieces by Category

Table Lamps — 33 Pieces

The table lamp is Lumehaus's primary format — 33 of the 53 pieces in the collection are table lamps, reflecting the studio's belief that intimate, human-scale lighting is the most direct route to the sanctuary experience. Each table lamp in the Lumehaus range pairs a natural or crafted base material with a fabric or natural-fibre shade designed to produce warm, diffused light at the scale of the surface it occupies.

Raffia & Natural Fibre Table Lamps

Raffia (Raphia — a genus of palms native to Madagascar and tropical Africa, whose long, flexible leaf fibres have been used in craft production across sub-Saharan Africa and the Americas for centuries) is the most distinctive material in the Lumehaus collection. Hand-woven raffia shades produce a textured, slightly translucent surface that allows warm light to filter through the weave while casting organic shadow patterns on surrounding walls. The combination of wood or terracotta bases with raffia shades is the Lumehaus signature material pairing.

• Wald Table Lamp — A striped black and natural raffia table lamp on a wooden surface. Wald (German: forest) — a lamp in the dappled-light vocabulary of a forest floor, where light filters through layers of natural material in irregular patterns.
• Fiume Table Lamp — A wooden base with natural raffia, combining construction with organic texture. Fiume (Italian: river) — a lamp whose raffia shade references the flowing, directional quality of river movement rendered in a woven material.
• Dune Table Lamp — A textured raffia shade with a terracotta base. Dune (aeolian sand formation) — the most geologically specific of the Lumehaus table lamp names, pairing the organic texture of raffia with the earthen warmth of terracotta.
• Cello Table Lamp — A woven table lamp with a textured design. Cello (the bowed string instrument of the Baroque orchestra, tuned C–G–D–A, producing the warmest tonal register of the string family) — a lamp named for the warm, resonant quality of its light output.

Boucle & Textured Shade Table Lamps

Boucle (French: buckle or curl — a yarn whose fibres are looped or curled during spinning, creating a textured, nubby surface) is among the most tactile and visually warm fabric materials in contemporary interior design. The boucle shade absorbs and diffuses light simultaneously, eliminating the sharp directionality of a plain fabric shade in favour of a soft, three-dimensional glow.

• Albe Table Lamp — A black terracotta base with a boucle lampshade. Albe (Italian: dawns, the plural of alba — the plural form suggesting multiple moments of first light, multiple dawnings) — the boucle shade's soft light quality references the diffuse, pre-sunrise illumination that is the gentlest transition from dark to day.
• Ambra Table Lamp — A textured brown shade on a wooden base. Ambra (Italian: amber) — a table lamp in the warm amber register, referencing the colour of natural amber resin (fossilised tree resin, typically from Pinus succinifera, with an age range of 44–49 million years; the material that preserves prehistoric insects in suspended geological time).
• Glimmer Table Lamp — A textured shade on a wooden base. Glimmer (Old English glimsian: to gleam faintly) — a lamp designed for the quality of indirect, partial light: the glow seen around the edge of a curtain, the light through a half-open door, the luminous suggestion of brightness rather than its full expression.
• Loom Table Lamp — A handcrafted woven texture in white. Loom (from the Old English geloma: tool, utensil; later: the weaving apparatus) — a table lamp whose form references the material process of its own making: the woven surface is the loom's product made visible.
• Iris Table Lamp — A textured base with a wicker shade casting warm light. Iris (the goddess of the rainbow in Greek mythology — daughter of the Titan Thaumas and the Oceanid Electra, who served as a messenger between the gods and mortals; also the iris flower of the Iridaceae family, and the coloured membrane of the eye that controls light admission) — a lamp that references three different registers of light and colour simultaneously.

Marble Base Table Lamps

Marble bases introduce geological permanence and material depth into the Lumehaus lamp vocabulary. The contrast between the geological weight of marble and the lightness of a fabric or linen shade is one of the most resolved material pairings in the collection.

• Cascata Table Lamp — A textured beige shade with a marble base. Cascata (Italian: waterfall) — a lamp whose marble base references the geological formations through which water carves cascades, and whose shade references the white foam of falling water.
• Loam Table Lamp — A marble base with a beige fabric shade. Loam (a soil type composed of roughly equal parts sand, silt, and clay — the most fertile and workable soil for agriculture, valued since the earliest farming cultures for its ability to retain moisture while allowing root penetration) — a lamp that pairs the geological weight of marble with the agricultural warmth of its name.
• Ameo Table Lamp — A dark brown marble-textured base with a fabric shade. Ameo — from the Latin amo: I love — a table lamp named for the most direct and unambiguous emotional response in the Latin vocabulary.
• Natura Table Lamp — A textured shade with a marble base. Natura (Latin: nature, birth, natural order) — the most directly named piece in the collection, referencing both the natural material of the marble base and the natural origin of the lamp's design vocabulary.

Terracotta & Ceramic Base Table Lamps

Terracotta (Italian: terra cotta — baked earth) is a low-fired ceramic material used in domestic objects across virtually every culture in human history. Its warm, earthy tone, its slight porosity, and the evidence of the firing process in its surface variations make it one of the most emotionally resonant materials in the Lumehaus lamp vocabulary.

• Elara Table Lamp — A textured shade and black vase-type base. Elara (one of Jupiter's moons — discovered in 1905 by Charles Dillon Perrine at Lick Observatory, California; an irregular moon approximately 79km in diameter in a prograde orbit 11.7 million km from Jupiter) — a table lamp named for a distant moon, suited to the bedside register where the lamp's role is to provide the quiet, lunar quality of ambient light.
• Slate Table Lamp — A white linen shade with a black terracotta base. Slate (a fine-grained metamorphic rock formed from shale or mudstone under low-grade regional metamorphism — characterised by its perfect cleavage planes, which allow it to be split into thin, flat sheets) — the most architecturally precise of the terracotta base lamps, in a black finish that references the cool grey-blue of natural slate.
• Toscano Table Lamp — A textured brown base with a white shade. Toscano (Italian: Tuscan) — a table lamp in the warm ochre-and-terracotta palette of Tuscan architecture, referencing the sun-baked clay of Siena's buildings and the olive-grove landscapes of the Chianti region.
• Brillo Table Lamp — An aluminium bronze base with a dark brown shade. Brillo (Italian: brilliance, shine) — the only metallic-base lamp in the Lumehaus table lamp range, introducing a light-reflective aluminium bronze surface into the otherwise natural-material vocabulary of the collection.

Wooden Base Table Lamps

• Tern Table Lamp — A wooden stand with a white shade. Tern (from the Old Norse þerna — the seabird of the family Laridae known for its elegant, arcing flight and its extraordinary migratory journey: the Arctic tern, Sterna paradisaea, migrates annually from its Arctic breeding grounds to Antarctica and back — approximately 70,000–90,000 km per year, the longest known migration of any animal) — a lamp whose name carries the most specific and remarkable natural history reference in the collection.
• Foresta Table Lamp — A textured wooden base with a fabric shade. Foresta (Italian: forest) — a companion piece to the Wald in the forest-vocabulary lamps, in the Romance language register rather than the Germanic.
• Sabbia Table Lamp — A two-tier wooden stand with a textured beige fabric shade. Sabbia (Italian: sand) — a lamp in the warmth of the beach palette: bleached wood, warm sand, the undirected light of a coastal afternoon.
• Jasper Table Lamp — A white lampshade with a wooden vase-type base. Jasper (from the Latin iaspis, Greek iaspis, Hebrew yashpeh — a microcrystalline variety of quartz occurring in red, yellow, brown, and green, used in decorative arts since ancient Egypt and listed among the twelve foundation stones of the New Jerusalem in the Book of Revelation 21:19) — a lamp that carries one of the oldest recorded gemstone names in human history.
• Garnet Table Lamp — A textured base on a wooden surface. Garnet (from the Latin granatus: seed-like — named for the resemblance of red garnet crystals to pomegranate seeds; a silicate mineral group with Mohs hardness 6.5–7.5, occurring in red, orange, yellow, green, and colourless varieties; used as gemstones since the Bronze Age) — a lamp that carries the deep, jewel-toned warmth of its gemstone namesake.
• Petal Table Lamp — A textured lampshade on a wooden base. Petal (from the Greek petalon: leaf, thin plate — the individual leaf-like parts of a flower's corolla) — a lamp whose form vocabulary references the botanical, suited to rooms with a biophilic or botanical decor sensibility.
• Serenita Table Lamp — A beige fabric shade with a wooden base. Serenita (Italian diminutive of serena: calm, serene) — a lamp named for the quality of light most valued in a bedroom or reading corner: soft, unhurried, and calming.
• Char Pendant Lamp (Table Format) — A textured design pendant in a dark shade with wooden finish. Char (from the Old English cerran: to turn — also the residue of incomplete combustion, the blackened surface left by fire) — the darkest and most visually dramatic shade in the Lumehaus pendant-table crossover range.

Linen & Fabric Shade Table Lamps

• Lune Table Lamp — A premium table lamp at ₹16,000. Lune (French: moon) — a lamp designed for the lunar quality of light: soft, reflective, and non-directional, illuminating surfaces without casting hard shadows.
• Spar Table Lamp — A textured white base with a beige lampshade. Spar (from the Middle Dutch and Low German spar: rafter, beam — also a nautical term for a mast, boom, or gaff; and the mineralogical term for a crystalline mineral with good cleavage, such as feldspar) — a tall, linear table lamp suited to console and side table applications where vertical emphasis anchors the composition.
• Opal Table Lamp — An opalescent lamp. Opal (from the Sanskrit upala: precious stone; the Greek opallios; the hydrated amorphous form of silica SiO₂·nH₂O, characterised by its play-of-colour — the optical phenomenon of spectral diffraction caused by the diffraction of light through its internal sphere structure) — a lamp whose name references one of the most optically complex of all gemstones.
• Tranquillo Table Lamp — A serene table lamp. Tranquillo (Italian musical direction: tranquil, calm) — the name most directly expressing the Lumehaus sanctuary philosophy.
• Petra Table Lamp — A lamp in a stone-reference palette. Petra (Greek: rock, stone; also the ancient Nabataean city carved from rose-red sandstone in present-day Jordan, designated a UNESCO World Heritage Site in 1985 and one of the New Seven Wonders of the World in 2007) — a lamp that carries the geological permanence of carved stone in its name.
• Fluss Table Lamp — A flowing form table lamp. Fluss (German: river, flow) — a companion to Fiume in the water/flow naming vocabulary, in the Germanic register.
• [Brillo (mentioned above) / [Cascata (mentioned above)

Stone-Effect & Speciality Base Table Lamps

• Loam Table Lamp (above)
• Ameo Table Lamp (above)

Premium Floor Lamps — 5 Pieces

Floor lamps introduce a vertical light source at human scale — the zone between ceiling and floor that pendant and table lamps alone cannot reach. The Lumehaus floor lamp range is the most premium sub-category in the collection, with the most architecturally resolved forms and the highest individual piece price points.

• Orin Floor Lamp — A fluid curved wooden base with a fine linen shade — the most organically formed floor lamp in the Lumehaus collection. Orin (Irish: pale, fair; a poetic form suggesting prayer or song) — a floor lamp whose curved wooden base traces a fluid, arc-like movement from floor to shade height, introducing sculptural presence at standing eye level.
• Vespera Floor Lamp — A monochromatic grey boucle base and shade — the Lumehaus floor lamp most fully committed to the boucle material vocabulary. Vespera (from the Latin vesper: evening, the evening star — the first star visible at dusk, identified in the ancient world as the planet Venus) — a floor lamp named for the quality of evening light that defines the sanctuary register: warm, directional, and intimate.
• Ventos Floor Lamp — Ventos (from the Latin ventus: wind, from which the Italian vento and Spanish viento derive; also related to the Proto-Indo-European root *h₂wéh₁nts: the blowing one) — a floor lamp in a form that references air movement and lightness.
• Ombrello Floor Lamp — A sandstone base with a stainless steel pipe. Ombrello (Italian: umbrella — from the Latin umbra: shadow, shade) — a floor lamp whose name is its form description: the umbrella shape of the shade as it projects downward from the pipe, creating a defined pool of light beneath it.

Pendant Lamps — 13 Pieces

• Sama Pendant Lamp — A modern pendant light fixture casting warm ambient glow. Sama (Arabic: سماء — sky, heaven; also a Sufi spiritual practice of listening to sacred music to achieve transcendence) — a pendant whose name carries both the spatial reference of the ceiling plane (the literal sky of the interior) and the transcendent aspiration of Lumehaus's sanctuary philosophy.
• Velino Pendant Lamp — Named after Monte Velino, the highest peak of the Central Apennines in Abruzzo, Italy (elevation: 2,487m) — a pendant of alpine scale and material resolve.
• Rote Pendant Lamp — Rote (German: red — or from the Latin rota: wheel, the circular form) — a compact pendant suited to bedroom and corridor applications.
• Stil Pendant Lamp — Stil (German: style, from the Latin stilus: pointed writing instrument, stylus; in German design discourse, Stil refers to the consistent, recognisable design language of a period or studio) — a minimal pendant that embodies the Lumehaus design vocabulary at its most reduced.
• Felice Pendant Lamp — Felice (Italian: happy, fortunate — from the Latin felix: fortunate, happy, fruitful) — the most accessible price-point pendant in the Lumehaus range and an entry point into the studio's design vocabulary.
• Fonte Pendant Lamp — Fonte (Italian: spring, source — the origin point of a river; also fonte battesimale: the baptismal font of a church, the vessel of sacred water) — a companion pendant to the Felice at the same price point.
• Fred Pendant Lamp — Fred (from the Old Germanic friðu: peace, the common element in names like Friedrich, Alfred, Wilfred) — a mid-range pendant in a calm, unhurried form.
• Fresco Pendant — Fresco (Italian: fresh — the wall painting technique in which pigment is applied to wet plaster, so the colour bonds chemically with the lime as it dries; the major medium of Italian Renaissance mural painting, from Giotto's Arena Chapel frescoes in Padua, c.1305, to Michelangelo's Sistine Chapel ceiling, 1508–1512) — a pendant whose name references the Italian Renaissance's most ambitious painted surfaces.
• Kemps Pendant — Kemps (from the Dutch kemp: hemp, or the Old English cempa: warrior, champion) — a mid-range pendant with a material or structural quality suited to industrial and loft interior contexts.
• Marin Pendant — Marin (Latin: of the sea, marinus — from mare: sea) — a pendant or wall lamp in the coastal/maritime aesthetic.
• Lain Pendant — Lain (past participle of lie, to recline — also a variant of Laine, French for wool) — a pendant with a recumbent, unhurried quality suited to residential ambient lighting.

Wall Sconces — 2 Pieces

• Vagu Wall Lamp — A metal frame adorned with natural raffia in a circular design casting warm ambient light. Vagu (possibly from the Portuguese vago: vague, diffuse — a term that precisely describes the quality of light this wall lamp produces: non-directional, ambient, filling the space around it rather than pointing at a specific surface) — the raffia-on-metal circular form references the sunburst wall decor tradition while serving as a functional light source.
• Fiore Wall Lamp — A black and natural raffia circular design in a sunburst form. Fiore (Italian: flower) — the most botanically specific of the Lumehaus wall sconces, its raffia-and-metal sunburst referencing the radial symmetry of a flower's petals.

The Lumehaus Material Philosophy

The Lumehaus collection is unified not by a single material but by a material register: natural, warm, and handmade. Every material in the collection — raffia, boucle, linen, terracotta, marble, natural wood, sandstone — shares three qualities. First, it is derived from natural sources (plant fibre, mineral stone, fired clay, timber). Second, it carries the evidence of its own making: the variation in a raffia weave, the looped texture of boucle, the grain of natural wood, the veining of marble. Third, it ages with grace — improving with use rather than degrading.

Raffia (Raphia spp. palm fibre) is hand-extracted from the leaves of the Raphia palm, dried, and woven into shades. A raffia shade under lamp light produces a warm, dappled glow — the closest approximation available in a manufactured lamp to the quality of light through leaves.

Boucle is produced by twisting a smooth yarn around a looped, textured yarn during spinning. The resulting fabric has a surface of raised loops — typically 1–3mm in height — that absorbs, scatters, and refracts light simultaneously. A boucle shade produces the softest, most diffuse light output of any fabric used in the Lumehaus collection.

Linen (from Linum usitatissimum — flax, one of the oldest cultivated textile plants, domesticated in the Fertile Crescent approximately 8,000 BCE) is a bast fibre that produces a naturally textured, slightly translucent fabric. Linen shades allow warm light to filter through their weave, producing a gentle, even glow without the flatness of a fully opaque shade.

Terracotta (from the Italian terra cotta: baked earth) is a low-fired, unglazed ceramic with a warm, earthy surface. Its porosity and the slight irregularities produced by hand-throwing or mould-forming make each terracotta base individually variable — no two pieces are identical.

Marble carries the density and geological authority of metamorphic stone. In a lamp base, it introduces a material weight that grounds the lighter, more diffuse qualities of the fabric shade above it.

How to Choose a Lumehaus Lamp for Your Room

For the bedroom. The Lumehaus table lamp range is designed for the bedroom register. Choose a warm raffia or boucle shade for maximum light diffusion and minimal glare — the Vespera Floor Lamp in boucle or the Albe Table Lamp with a boucle shade provide the softest, most sleep-supportive light output. A bedside table lamp should sit at a height that positions the shade's lower edge at seated-eye-level (approximately 60–65cm from the mattress surface) — the height at which the shade obscures the bare bulb from a person reading in bed. Pair with a bedroom decor scheme built around natural materials.

For the living room. The Orin Floor Lamp with its curved wooden base, the Sama Pendant Lamp as a ceiling statement, or the Iris Table Lamp with wicker shade on a side table create the layered, multi-source lighting that interior designers identify as the primary marker of a considered living room. Complement with cushions in natural linen and a handwoven rug to build a coherent natural-materials composition.

For the dining room. The Velino Pendant Lamp or Rote Pendant Lamp above the dining table at the correct hang height (75–90cm above the table surface for a standard 2.7m ceiling) defines the dining experience. A warm pendant above the table is the single most effective lighting decision in a dining room — it creates the cone of intimate light that makes dinner feel like an occasion rather than a functional meal. Pair with serveware and drinkware from the TLI table accessory range.

For the study room. The Spar Table Lamp — the tallest and most vertically emphatic table lamp in the range — or the Tern Table Lamp with its wooden base provide task light at desk level while maintaining the Lumehaus warm-material aesthetic. Explore the study room collection for complementary desk accessories.

Lumehaus and the Industrial Interior

The existing Lumehaus meta title references "premium industrial lighting" — a designation that reflects some of the collection's darker-finish and more architectural pieces (Slate, Elara, Brillo, Char). The industrial interior aesthetic — characterised by exposed brick, raw concrete, metal furniture, Edison bulb fixtures, and a monochrome palette — is one of the most established and enduring interior design styles globally, originating in the conversion of New York's SoHo cast-iron loft buildings in the 1970s and subsequently diffusing through global urban interior design. Within this context, the Char Pendant Lamp (dark shade with wooden finish), the Slate Table Lamp (black terracotta base, white linen shade), and the Elara Table Lamp (black vase-type base) are the Lumehaus pieces most directly suited to industrial and loft interior schemes. Explore the TLI industrial collection for compatible pieces.

Shop Lumehaus by Vaibhav Sareen — Designer Table Lamps, Pendants & Floor Lamps Online in India

Buy from the complete Lumehaus collection at The Living Influence — 53 designer lighting pieces across table lamps, pendant lamps, floor lamps, and wall sconces, all in natural materials and warm palettes — available with free PAN India shipping. For the complete TLI table lamp range beyond Lumehaus, explore the full lighting collection. For pendant lamps specifically, explore pendants. For floor lamps, explore floor lamps. For the complete TLI Designers catalogue, visit the Designers & Brands page. For B2B and hospitality project lighting sourcing, connect via the TLI trade programme.